{"id":1420,"date":"2024-04-25T14:31:56","date_gmt":"2024-04-25T12:31:56","guid":{"rendered":"https:\/\/dara.aragon.es\/dara\/archivosfotograficos\/?page_id=1420"},"modified":"2025-10-28T20:43:10","modified_gmt":"2025-10-28T19:43:10","slug":"postales","status":"publish","type":"page","link":"https:\/\/dara.aragon.es\/dara\/archivosfotograficos\/temas\/postales\/","title":{"rendered":"Postales"},"content":{"rendered":"

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Una de las industrias m\u00e1s productivas derivadas de la reproducci\u00f3n fotogr\u00e1fica fue la tarjeta postal. Iniciada en torno a 1900, se ha desarrollado a lo largo de todo el siglo XX hasta entrar en decadencia con el desarrollo de los tel\u00e9fonos m\u00f3viles.<\/p>\n

Las postales atesoradas en los Archivos son una valiosa muestra de lugares de moda, costumbres populares, paisajes y dem\u00e1s repertorio iconogr\u00e1fico que se enriquece, en muchas ocasiones, con los pensamientos garabateados en ellas.<\/p>\n

La expansi\u00f3n de la t\u00e9cnica de la fototipia o heliograf\u00eda permiti\u00f3 la impresi\u00f3n de fotograf\u00edas a bajo precio, lo que dio lugar a la proliferaci\u00f3n de empresas -tanto de cobertura nacional o internacional como las iniciativas locales- que surt\u00edan de recuerdos a un creciente mercado de turistas y veraneantes.<\/p>\n

\u00c9poca de la fototipia (1900-1950)<\/a>.<\/span><\/strong><\/p>\n

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Postaleros<\/h2>\n

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Arag\u00f3n<\/p>\n

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Resto de Espa\u00f1a<\/p>\n

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Francia<\/p>\n

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Alemania<\/p>\n

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Reino Unido<\/p>\n

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Ver todo<\/p>\n

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Ediciones Arribas. Zaragoza<\/h3>\n

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Ediciones Garc\u00eda Garrabella<\/h3>\n

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Ediciones Artigot. Zaragoza<\/h3>\n

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Ediciones Sicilia. Zaragoza<\/h3>\n

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Estudio Coyne. Zaragoza<\/h3>\n

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Tip. Casa\u00f1al<\/h3>\n

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Art\u00edculos de pintura M. Oliete<\/h3>\n

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Francisco de las Heras. Jaca<\/h3>\n

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Fototipia Lucas Escol\u00e1<\/h3>\n

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Catalana de Gas y Electricidad<\/h3>\n

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Colecci\u00f3n el Cicl\u00f3n<\/h3>\n

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Papeler\u00eda Iglesias. Huesca<\/h3>\n

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Hauser y Menet<\/h3>\n

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A. Santos. Grabador<\/h3>\n

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Fototipia Thomas. Barcelona<\/h3>\n

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Foto Editor G. Galarza. San Sebasti\u00e1n<\/h3>\n

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Infonal<\/h3>\n

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Edici\u00f3n de M. Moura<\/h3>\n

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Colecci\u00f3n V. Ero<\/h3>\n

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Colecci\u00f3n, Alfonso Tu\u00f1\u00f3n Esparza<\/h3>\n

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Colecci\u00f3n Urriza.- L\u00e9rida<\/h3>\n

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Coleccion D’Asloc<\/h3>\n

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Casa Truyol. Palma de Mallorca<\/h3>\n

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Ediciones Zerkowitz. Fot\u00f3grafo. <\/h3>\n

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Heliotipia de Kalmeyer y Gautuer. Madrid<\/h3>\n

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Ed. Angel Toldr\u00e1 Viazo. Barcelona<\/h3>\n

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Edicion Amenabar<\/h3>\n

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Ediciones \u201cUnique\u201d. Madrid, Londres, Par\u00eds<\/h3>\n

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Ediciones Zerkowitz. Barcelona<\/h3>\n

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Edici\u00f3n de M. Moura <\/h3>\n

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Estudio \u00abYO\u00bb <\/h3>\n

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Fot. Lacoste. Madrid<\/h3>\n

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Grafos. Madrid<\/h3>\n

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Postales Zapatero<\/h3>\n

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Fototipia Casta\u00f1eira y Alvarez<\/h3>\n

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Fototipia Casta\u00f1eira, Alvarez y Levenfeld.<\/h3>\n

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Fototipia L. Roisin. Barcelona<\/h3>\n

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Fototipia Madriguera, Barcelona<\/h3>\n

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M. Tello, Editor<\/h3>\n

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M. Moreno. Madrid<\/h3>\n

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Tip. Moderna. Valencia<\/h3>\n

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G. Artaud. Nantes<\/h3>\n

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G. Artaud. Nantes
MM. Chassaing & C.
Labouche Fr\u00e8res (\u00e9diteurs)(Elfe)<\/h3>\n

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Leon & Levy<\/h3>\n

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Levy Fils & Cie.<\/h3>\n

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Levy et Neurdein R\u00e9unis<\/h3>\n

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Douteguy<\/h3>\n

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Charnaux Fr\u00e8res & C\u00ba<\/h3>\n

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Bromotypie Gautreau<\/h3>\n

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A. Papeghin, Par\u00eds-Tours<\/h3>\n

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Editions A. Simons<\/h3>\n

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Lib. Pap. Voisin, Leclerq, St. L\u00f4<\/h3>\n

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Photo=Carte<\/h3>\n

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Edition P. C Par\u00eds<\/h3>\n

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Edition F. Viron<\/h3>\n

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Editions Glatigny. Toulouse<\/h3>\n

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Edition Ghetta, photografe. Nice<\/h3>\n

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Edition de la Librairie Internationale<\/h3>\n

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Edition du Magasin : Au Souvenir, 14, Rue Mazagran. Biarritz<\/h3>\n

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Tipolitografia Raoul P\u00e9ant<\/h3>\n

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T.G. (Tipograf\u00eda Richard Gans)<\/h3>\n

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Phototypie Marcel Delboy<\/h3>\n

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Magasin General<\/h3>\n

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L. Saalfeld<\/h3>\n

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E. Meyer, Colonia<\/h3>\n

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Grav- Beck. M\u00fcnchen<\/h3>\n

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G.A. & Co. Ltd. London<\/h3>\n

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Perruca. Teruel<\/h3>\n

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principales ARCHIVOS con tarjetas postales<\/h2>\n

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COLECCIONES<\/strong><\/td>\nFECHAS<\/strong><\/td>\nFOTOGRAF\u00cdAS<\/strong><\/td>\n<\/tr>\n
\n[1907-1950]<\/a><\/td>\n2.026<\/td>\n<\/tr>\n
\n1895-1950<\/a><\/td>\n656<\/td>\n<\/tr>\n
\n[1864]-1988<\/a><\/td>\n495<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

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Una de las industrias m\u00e1s productivas derivadas de la reproducci\u00f3n fotogr\u00e1fica fue la tarjeta postal. Iniciada en torno a 1900, se ha desarrollado a lo largo de todo el siglo XX hasta entrar en decadencia con el desarrollo de los tel\u00e9fonos m\u00f3viles. Las postales atesoradas en los Archivos son una valiosa muestra de lugares de […]<\/p>\n","protected":false},"author":30,"featured_media":379,"parent":86,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1420","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nPostales - ARCHIVOS FOTOGR\u00c1FICOS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dara.aragon.es\/dara\/archivosfotograficos\/temas\/postales\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Postales - ARCHIVOS FOTOGR\u00c1FICOS\" \/>\n<meta property=\"og:description\" content=\"Una de las industrias m\u00e1s productivas derivadas de la reproducci\u00f3n fotogr\u00e1fica fue la tarjeta postal. 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